Soren Kierkegaard - the prodigious Danish author who published dozens of genre-bending works of fiction, theology, philosophy and personal confession before his death in 1855 at the age of forty two - would appear to be changing. Hitherto he has been interpreted either as a grim preacher of doom or as a precursor of 'existentialism'. But at the end of the twentieth century he is beginning to emerge as a fundamental philosophical theorist and a scintillating theoretical stylist - one of the greatest figures of modern European thought, and perhaps a proto-postmodern to rival Nietzsche and Heidegger both in theme and significance. Beginning with the editorial introduction outlining the contradictory history of Kierkegaard's reputation, this Critical Reader brings together a range of essays - some new, some translated into English for the first time and some previously published - which together paint a vivid picture of the new Kierkegaard.
