GLOBAL INTERESTS explores the trade in portrait medals, tapestries, and equestrian art, all items that Jardine and Brotton demonstrate were markers of power and influence in both the West and the East. The authors reveal that this trade represented a remarkably equal exchange between Renaissance Europe and the Ottoman East. Their findings lead them to argue that the East, and in particular the Ottoman Empire of Mehmet the Conqueror and Suleiman the Magnificent, was not the antithetical 'other' to the emergence of a Western Europe identity in the 16th century. Instead, Paris, Venice, and London were linked with Istanbul and the East through networks of shared political and commercial interests. By showing that the traditional view of Renaissance culture is misleading, the authors offer a more truly global understanding of historical experience.
