In Ten Days That Shook the World, John Reed conveys, with the immediacy of cinema, the impression of a whole nation in ferment and disintegration. A contemporary journalist writing in the first flush of revolutionary enthusiasm, he gives a gripping record of the events in Petrograd in November 1917, when Lenin and the Bolsheviks finally seized power. Containing verbatim repots both of speeches by leaders and the chance comments of bystanders, set against an idealized backcloth of the proletariat, soldiers, sailors, and peasants uniting to throw off oppression, Reed's account is the product of passionate involvement and remains an unsurpassed classic of reporting.
